DEEP SINGH BLUE is work of ferocious bravery, intelligence, and art.

Thank you to Alex Shakar for the incredibly generous blurb, which he assures me is heartfelt.

“This is no picturesque coming of age. In an immigrant family and an adopted land both straitjacketed by denial and rage, it’s an open question—and a propulsive one—whether Deep Singh’s lashings out to save himself will lead to salvation or destruction. Deep Singh Blue is work of ferocious bravery, intelligence, and art.”

                                                                        —Alex Shakar, author of Luminarium


DEEP SINGH BLUE in Kirkus Reviews

Thank you to Kirkus for the fantastic review! Here’s a little of what they say: “Sidhu writes with keen wit and crafts every character with psychological texture, exploring the effects of racism as well as the desire to control a world spinning off its axis… A heart-wrenching coming-of-age tale in which survival depends more on compassion than rebellion.”

Read the full review here.

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The Indian Short Story in English

Much that happens in the writing world is supported by people who do it just for the love of art — as those of us who write so often do. So here’s a shout out to the fine people at indianshortstoryinenglish.com — and their excellent work in putting together a compendium of what’s happening right now in the Indian short story form (as practiced by those who write in English). You can check out my page by clicking here, or on the image below, and search through the site to find some really fine writers of the form.Screen Shot 2015-08-14 at 3.06.16 PM


Exploring cultural crevasses in Good Indian Girls

Kelly Lynn Thomas reviews Good Indian Girls over at her blog.

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Although most of the stories focus on the experiences of Indian immigrants in America, these are not the typical “adjust to American life” or clash-of-culture tales. Instead, Sidhu writes stories that take place at the convergence of the darkest aspects of the two cultures. These are modern gothic stories wherein each sentence is like a surgeon’s exacting scalpel cutting away ideas we hold dear. I didn’t notice a single line that sounded awkward or that didn’t ring true.


Izhar Patkin’s Poetic Enchantments

Over at Artnet, I take a look at Izhar Patkin’s glittering show at Mass MoCA. Read it, see ie. Click the image.

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Narrative, performance, the self and its creations, are seen in constant and ever-shifting flux. To look for answers here, Patkin suggests, is a fool’s errand, but to ask questions, and to continue asking them, though not a path to redemption, can lead to ever more refined ideas about the possibilities of being.


Remembering Agha Shahid Ali

Over at The Aerogram, I write about Agha Shahid Ali, and his collaboration at the end of his life with the important Israeli-American artists Izhar Patkin. Find it here.

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“Tender, uproarious and incredibly insightful”

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In a brief, but glowing, one line review, Barnes & Noble Review says some very nice things about my book (though they misspelled my name). Link here.

In twelve vivid stories, Ranbir Singh Sidhu paints tender, uproarious and incredibly insightful portraits of Indians living in America.


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