The marvelous Titi Nguyen recently interviewed me for the Ploughshares blog. Read it all here.
Thank you to Alex Shakar for the incredibly generous blurb, which he assures me is heartfelt.
“This is no picturesque coming of age. In an immigrant family and an adopted land both straitjacketed by denial and rage, it’s an open question—and a propulsive one—whether Deep Singh’s lashings out to save himself will lead to salvation or destruction. Deep Singh Blue is work of ferocious bravery, intelligence, and art.”
—Alex Shakar, author of Luminarium
So pleased to see — thanks! Check it out here.
WATCHING TELEVISION FOOTAGE OF REFUGEES streaming west by their thousands, along the highways of Hungary toward the Austrian border, my first thoughts are about my mother. She made a similar trek, 69 years ago almost to the day, when she was only six. I see her in the girl raised by her father above the fray at the Bicske railway station in Budapest, or holding tight onto her mother’s hand in the throngs filling a nighttime road, led by men using their cellphone GPS to find the way. She too was fleeing war — or more exactly, walking through the heart of it, as what had been the Indian Raj was violently split into India and Pakistan.
Read the full article over at the Los Angeles Review of Books.
I’m proud to have an essay up on VICE, all written in this last week in the heat of the fallout from the Greek referendum and the (perhaps) closing of a deal with the creditors. If you want to know what’s happening in one small part of Greece right now, please read. Click here for the article, or on the image below.
For some years, I’ve been at work on an outrageously long novel. It’s had various tentative titles over the years, and most recently it’s called The Echoes. Over at Word Riot, they’ve been good enough to publish a brief selection. Take a look here.
The TV had been blaring when she had darted out in the afternoon’s customary haste, ever late, and it still was now, how many hours later, tubing, as always, the Rev Boone Slaughter of the Church of Our Lord of Higher Necessity on one his 24 hour-plus marathons. “Duane’s dark angel” (Pin). Someday soon, the Rev declared, on what day he could not clearly foresee, but that it was written in the Book of Habakkuk, the eighth among the Prophets, if one employed a certain code developed by Al Kinditoy, that wily blind hermaphrodite sage of 16th century Andalusia, that a plague was coming upon the land and soon all would be crying into their pretty little ceramic espresso cups, the ones he found such darling temptresses in the European films of his misspent youth. She turned the volume down and left the picture on, where Slaughter in white robes and Santa Claus beard elucidated his findings through full-color overhead projections, and showered and changed into jammies. She watched the building of the Pyramids, then their cross-sections, then diagrams of their ratios, then a velvet haloed portrait of Al Kinditoy, who from his looks could well have been Slaughter’s lost cousin, then, as the station identification letters KRUT came on the screen, poured herself a gin and tonic, sliced a lime and dropped it in using a hairpin as stirrer, then recalled: the summer reading Moby Dick while her boyfriend, Serge Yavlinsky, increasingly disengaged himself over what he said was the erotic charge she received when learning of the processes of lamp oil production and wondered: Was that what was happening? Was Duane, at this moment, slipping into the icy void, had he moved from cool to cold so fast, did Slaughter’s mesmerism, his brilliant crazy surface, mean more to Duane than she’d ever done?