GOOD INDIAN GIRLS

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In twelve startling and vividly imagined stories, Ranbir Singh Sidhu overturns the lives of ordinary Indians living in America to bring us a bold debut collection, Good Indian Girls.

“Achingly merciless, London-born author Sidhu’s 12 short stories sharply delineate the edges of identity and sanity…These haunting tales simultaneously attract and repel, enchant and shatter…Sidhu creates inscrutable characters inhabiting bewildering circumstances. Smart, provocative and poignantly disturbing, this collection, the author’s U.S. debut, signals a writer to watch.” —Kirkus (Starred Review)

“Though weird and eccentric, Sidhu’s stories are also empathetic and refreshingly free of the clichés of immigrant narratives. He manages to portray his characters as uniquely Indian without losing sight of their individuality, offering small, piercing looks into the humanity that resides in every situation and person, no matter how strange.”—Publishers Weekly

“With adeptly drawn characters, Sidhu demonstrates a dexterous grasp of the human psyche, while the prevalence of dark twists displays his love of the fatalistic. This propensity for the morose will be off-putting for some but is sure to please those with a taste for black humor and shades of the diabolical.”—Booklist

“‘Border Song,’… finds the transformative grace in grief and a closure of sorts that eludes characters in ‘The Order of Things,’ a masterpiece of a story that could have you marvelling at Sidhu’s incisive and distinctive perspective for the Punjab experience of violence, exile and estrangement—both within India and abroad.”—Outlook India

Whenever I pick up a story by Ranbir Sidhu, I feel as though I’ve been released from the cedarwood closet of literature into the fresh air of active creation; as though I’d been fitted with brand-new high-tech earphones picking up an infinity of eloquent microphones cleverly scattered around the world. The pops and squeaks of new life crackle in my ears, and even when they’re threatening or saddening, I’m inevitably overcome by the hope that they’ll never stop.”—Harry Mathews, author of My Life in CIA, Cigarettes and The Journalist

“Ranbir Sidhu is imaginative, with a dry, sly wit, very intelligent, and owns a wicked sensibility, all of which makes his fiction smart, daring, sensitive to human perversity, and keen in its observations. He is one of the most compelling and sophisticated younger writers today; and his writing is beautiful and entertaining.”—Lynne Tillman, author of American Genius, A Comedy and No Lease On Life

“[Sidhu’s] work takes risks, is often daring and imaginative, and I appreciate the intelligence he brings to his craft. I look forward to reading his new collection of stories, Good Indian Girls.”—Edward Albee, author of Who’s Afraid of Virginia Woolf?

“The first-person narrator of ‘The Good Poet of Africa’ despises poetry, repays compassion with insult, and enjoys lying to children. but, by story’s end, the moral universe will be turned on its head, and the reader will empathize with Ranbir Sidhu’s loathsome protagonist. This is writing of uncommon assurance and skill.”—Jeet Thayil, author of Narcopolis

“In twelve vivid stories, Ranbir Singh Sidhu paints tender, uproarious and incredibly insightful portraits of Indians living in America.” —Barnes & Noble Review

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