A lovely new interview up over at W3Sidecar. Check it out here.
I can be stuck on a story for years—actually many of the stories included here were written in part, left unfinished, and then returned to years later to finish. Where that final push comes from I don’t know, except that time is mysterious, it allows connections to be made that otherwise wouldn’t have, and it allows a much deeper immersion into a character—someone I might have casually created without any clear goal in mind—to develop and emerge.
Read an extended excerpt from the title story over at The Aerogram.
That night she dreamed of a naked old man in a cowboy hat hopping cross-legged from one feathery cloud to another while his knees streamed blood and his limp penis flopped menacingly between his hairy thighs. The dream must mean something and she told herself to write it down and think on it, though she never did, and a week later, trying to recall it, all she could remember was a floating cowboy hat taunting her from the heavens. The memory held an erotic charge, though why, Lovedeep could not say.
In my view, one of the central purposes of art is to unsettle, and to destabilize our own fixed notions of who we are, and who our fellow humans are. If, after having read this collection, the ground is a little more unsteady under the reader’s feet, then I’ve done my job. There’s something of the natural provocateur in me, and I get bored when everyone is going along nicely and not questioning the larger structures of their own lives. So I do hope that it provokes, and that it reaches those people who are at the moment sitting a little too comfortably in their own lives.
Purchase today &
support indie bookstores
In twelve startling and vividly imagined stories, Ranbir Singh Sidhu overturns the lives of ordinary Indians living in America to bring us a bold debut collection, Good Indian Girls.
“Achingly merciless, London-born author Sidhu’s 12 short stories sharply delineate the edges of identity and sanity…These haunting tales simultaneously attract and repel, enchant and shatter…Sidhu creates inscrutable characters inhabiting bewildering circumstances. Smart, provocative and poignantly disturbing, this collection, the author’s U.S. debut, signals a writer to watch.” —Kirkus (Starred Review)
“Though weird and eccentric, Sidhu’s stories are also empathetic and refreshingly free of the clichés of immigrant narratives. He manages to portray his characters as uniquely Indian without losing sight of their individuality, offering small, piercing looks into the humanity that resides in every situation and person, no matter how strange.”—Publishers Weekly
“With adeptly drawn characters, Sidhu demonstrates a dexterous grasp of the human psyche, while the prevalence of dark twists displays his love of the fatalistic. This propensity for the morose will be off-putting for some but is sure to please those with a taste for black humor and shades of the diabolical.”—Booklist
“‘Border Song,’… finds the transformative grace in grief and a closure of sorts that eludes characters in ‘The Order of Things,’ a masterpiece of a story that could have you marvelling at Sidhu’s incisive and distinctive perspective for the Punjab experience of violence, exile and estrangement—both within India and abroad.”—Outlook India
“Whenever I pick up a story by Ranbir Sidhu, I feel as though I’ve been released from the cedarwood closet of literature into the fresh air of active creation; as though I’d been fitted with brand-new high-tech earphones picking up an infinity of eloquent microphones cleverly scattered around the world. The pops and squeaks of new life crackle in my ears, and even when they’re threatening or saddening, I’m inevitably overcome by the hope that they’ll never stop.”—Harry Mathews, author of My Life in CIA, Cigarettes and The Journalist
“Ranbir Sidhu is imaginative, with a dry, sly wit, very intelligent, and owns a wicked sensibility, all of which makes his fiction smart, daring, sensitive to human perversity, and keen in its observations. He is one of the most compelling and sophisticated younger writers today; and his writing is beautiful and entertaining.”—Lynne Tillman, author of American Genius, A Comedy and No Lease On Life
“[Sidhu’s] work takes risks, is often daring and imaginative, and I appreciate the intelligence he brings to his craft. I look forward to reading his new collection of stories, Good Indian Girls.”—Edward Albee, author of Who’s Afraid of Virginia Woolf?
“The first-person narrator of ‘The Good Poet of Africa’ despises poetry, repays compassion with insult, and enjoys lying to children. but, by story’s end, the moral universe will be turned on its head, and the reader will empathize with Ranbir Sidhu’s loathsome protagonist. This is writing of uncommon assurance and skill.”—Jeet Thayil, author of Narcopolis
“In twelve vivid stories, Ranbir Singh Sidhu paints tender, uproarious and incredibly insightful portraits of Indians living in America.” —Barnes & Noble Review
Launch of The Happy Hypocrite – Freedom, Issue 6
edited by Lynne Tillman
21 September 2013, 7.00pm onwards
55 Walker Street
Yasmine El Rashidi
Ranbir Singh Sidhu
Robin Coste Lewis
Followed by a discussion with Lynne Tillman and participants.
To purchase this title please visit the Book Works website.
This new issue of The Happy Hypocrite challenges the restraining notions found in art and writing about who and what can and cannot speak. What can and cannot be said or thought. In part a response to Kafka – to that which we don’t know has damaged us – freedom is presented as an important and urgent concept, and a complicated word, in which and beside which hypocrisy also resides. (Hypocrisy can be construed as a freedom). The Happy Hypocrite offers its pages to ingenious fictional, nonfictional, and visual responses to the various meanings of ‘freedom’.
Contributions from Gregg Bordowitz, Paul Chan, Gabriel Coxhead, Lydia Davis, Yasmine El Rashidi, Chloé Cooper Jones, James Jennings, Allison Katz, Robin Coste Lewis, Craig Owens, Sarah Resnick, Ranbir Singh Sidhu, Abdellah Taïa, an interview between Lynne Tillman and Thomas Keenan, a cover by Susan Hiller, and archival material from Paranoids Anonymous Newsletter.
Achingly merciless, London-born author Sidhu’s 12 short stories sharply delineate the edges of identity and sanity… These haunting tales simultaneously attract and repel, enchant and shatter, evoking the ambiguous relationships between past and present, others and self… Deftly sifting through a range of less-often-visited emotions, Sidhu creates inscrutable characters inhabiting bewildering circumstances… Smart, provocative and poignantly disturbing, this collection, the author’s U.S. debut, signals a writer to watch.
Whole review here (paywall).
The body of the review is available here, but the heart of it is this:
Though weird and eccentric, Sidhu’s stories are also empathetic and refreshingly free of the clichés of immigrant narratives. He manages to portray his characters as uniquely Indian without losing sight of their individuality, offering small, piercing looks into the humanity that resides in every situation and person, no matter how strange.