Reading at Bowery Arts on June 1st

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Join Quintan Ana Wikswo, Matthew Sharpe, and Ranbir Singh Sidhu as they bring new work to the stage for an evening of morphological misadventure within the uncanny nooks and crannies of newly invoked worlds.

$10 at the door; advance tickets online here: http://www.brownpapertickets.com/event/702551

QUINTAN ANA WIKSWO (www.QuintanWikswo.com) is recognized for projects that integrate her original literature, visual art, video, and performance works. Her collection of short stories and photographs – The Hope Of Floating Has Carried Us This Far – is forthcoming on Coffee House Press. Her fiction, nonfiction, poetry, and theory appears in anthologies, fine art catalogues, artist’s books, and in magazines including Tin House, Gulf Coast, Conjunctions, The Kenyon Review, New American Writing, Golden Handcuffs Review, Alaska Quarterly Review, and many more. Her works are exhibited, published, and performed at prominent institutions through Europe and the Americas, including three solo exhibitions at major museums in New York City and Berlin, and performances at (Le) Poisson Rouge, St. Mark’s Church, Incubator Arts Project, Dixon Place, Beyond Baroque, and others. She is the recipient of fellowships from Creative Capital, the National Endowment for the Arts, the National Endowment for the Humanities, the Pollock Krasner Foundation, Center for Cultural Innovation, Theo Westenberger Estate, Yaddo, and more. She maintains a lively visiting artist practice at NYU, CUNY, Colgate College, California College of Arts, California State University, and others.

MATTHEW SHARPE (http://sharpestories.blogspot.com) is the author of the novels You Were Wrong, Jamestown, The Sleeping Father, and Nothing Is Terrible. He is the recipient of fellowships from the National Endowment of the Arts and the New York Foundation for the Arts. He teaches in the graduate writing program at Columbia University, and has been posting a one-page story every week to his blog Very Short Stories R Us.

RANBIR SINGH SIDHU (www.ranbirsidhu.com) is the author of Good Indian Girls, and a winner of the Pushcart Prize in Fiction and a New York Foundation for the Arts Fellowship, and other awards. His stories appear in The Georgia Review, Fence, Zyzzyva, The Missouri Review, Other Voices, The Literary Review, Alaska Quarterly Review, The Barcelona Review, The Happy Hypocrite and other journals and anthologies. His work for theater has been supported by MCC Theater, the Edward F. Albee Foundation, the Lower Manhattan Cultural Council, La Mama ETC, the September 11th Fund, and the New York State Council for the Arts among others.

 


Far outside the expectations…

A feature interview over at India Abroad this week. Check it out here.

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Harper 21 publishes “The Consul’s Wife” as a Kindle e-single

For readers in India, the wonderful folk at HarperCollins are putting out e-singles for the Kindle in a new, and beautifully designed, series called Harper 21. The current batch focus on the short story form, and they’ve included my story “The Consul’s Wife.” If you’re in India, and own a Kindle, it’s a mere 21 rupees, which is a steal by any standard. Click here to purchase.

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“Tender, uproarious and incredibly insightful”

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In a brief, but glowing, one line review, Barnes & Noble Review says some very nice things about my book (though they misspelled my name). Link here.

In twelve vivid stories, Ranbir Singh Sidhu paints tender, uproarious and incredibly insightful portraits of Indians living in America.


Reading: Tuesday, November 12th

If you’re in New York City next Tuesday night, come out to a reading from GOOD INDIAN GIRLS at WORD Bookstore in Greenpoint, Brooklyn. I’ll be reading with the marvelous Lynne Tillman. Details here.

7 PM, WORD Bookstore, 126 Franklin St, Brooklyn.

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Writing in bed, and other revelations

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Over at her Intermittent Visitors site, the marvelous poet and blogger Joanne Merriam has a brief interview with me up. What will you learn? That I’m a messy writer who hates getting out of bed, thinks you should ignore all writing advice, and oh yeah, still an Alasdair Gray fanboy after all these years. Take a look here. And check out her small publishing house, Upper Boot Books, here.

What is your writing process?

Messy and undisciplined, with no clear schedules. I write in bed when I can, and I often try and get away and write while traveling, where I can keep the laptop next to my head, wake, sit up with some pillows behind my back and pull the computer onto my lap and get immediately to work, often still half-asleep and remembering dreams.


Kirkus Starred Review Now Online

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“These haunting tales simultaneously attract and repel, enchant and shatter, evoking the ambiguous relationships between past and present, others and self… Smart, provocative and poignantly disturbing, this collection, the author’s U.S. debut, signals a writer to watch.”

Read the whole review HERE.


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