Remembering Agha Shahid Ali

Over at The Aerogram, I write about Agha Shahid Ali, and his collaboration at the end of his life with the important Israeli-American artists Izhar Patkin. Find it here.

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Far outside the expectations…

A feature interview over at India Abroad this week. Check it out here.

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Harper 21 publishes “The Consul’s Wife” as a Kindle e-single

For readers in India, the wonderful folk at HarperCollins are putting out e-singles for the Kindle in a new, and beautifully designed, series called Harper 21. The current batch focus on the short story form, and they’ve included my story “The Consul’s Wife.” If you’re in India, and own a Kindle, it’s a mere 21 rupees, which is a steal by any standard. Click here to purchase.

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“Tender, uproarious and incredibly insightful”

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In a brief, but glowing, one line review, Barnes & Noble Review says some very nice things about my book (though they misspelled my name). Link here.

In twelve vivid stories, Ranbir Singh Sidhu paints tender, uproarious and incredibly insightful portraits of Indians living in America.


“I get bored when everyone is going along nicely and not questioning”

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The fine folks at The Aerogram have published an extended interview with me on the book. Take a look here.

In my view, one of the central purposes of art is to unsettle, and to destabilize our own fixed notions of who we are, and who our fellow humans are. If, after having read this collection, the ground is a little more unsteady under the reader’s feet, then I’ve done my job. There’s something of the natural provocateur in me, and I get bored when everyone is going along nicely and not questioning the larger structures of their own lives. So I do hope that it provokes, and that it reaches those people who are at the moment sitting a little too comfortably in their own lives.

 


GOOD INDIAN GIRLS

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In twelve startling and vividly imagined stories, Ranbir Singh Sidhu overturns the lives of ordinary Indians living in America to bring us a bold debut collection, Good Indian Girls.

“Achingly merciless, London-born author Sidhu’s 12 short stories sharply delineate the edges of identity and sanity…These haunting tales simultaneously attract and repel, enchant and shatter…Sidhu creates inscrutable characters inhabiting bewildering circumstances. Smart, provocative and poignantly disturbing, this collection, the author’s U.S. debut, signals a writer to watch.” —Kirkus (Starred Review)

“Though weird and eccentric, Sidhu’s stories are also empathetic and refreshingly free of the clichés of immigrant narratives. He manages to portray his characters as uniquely Indian without losing sight of their individuality, offering small, piercing looks into the humanity that resides in every situation and person, no matter how strange.”—Publishers Weekly

“With adeptly drawn characters, Sidhu demonstrates a dexterous grasp of the human psyche, while the prevalence of dark twists displays his love of the fatalistic. This propensity for the morose will be off-putting for some but is sure to please those with a taste for black humor and shades of the diabolical.”—Booklist

“‘Border Song,’… finds the transformative grace in grief and a closure of sorts that eludes characters in ‘The Order of Things,’ a masterpiece of a story that could have you marvelling at Sidhu’s incisive and distinctive perspective for the Punjab experience of violence, exile and estrangement—both within India and abroad.”—Outlook India

Whenever I pick up a story by Ranbir Sidhu, I feel as though I’ve been released from the cedarwood closet of literature into the fresh air of active creation; as though I’d been fitted with brand-new high-tech earphones picking up an infinity of eloquent microphones cleverly scattered around the world. The pops and squeaks of new life crackle in my ears, and even when they’re threatening or saddening, I’m inevitably overcome by the hope that they’ll never stop.”—Harry Mathews, author of My Life in CIA, Cigarettes and The Journalist

“Ranbir Sidhu is imaginative, with a dry, sly wit, very intelligent, and owns a wicked sensibility, all of which makes his fiction smart, daring, sensitive to human perversity, and keen in its observations. He is one of the most compelling and sophisticated younger writers today; and his writing is beautiful and entertaining.”—Lynne Tillman, author of American Genius, A Comedy and No Lease On Life

“[Sidhu’s] work takes risks, is often daring and imaginative, and I appreciate the intelligence he brings to his craft. I look forward to reading his new collection of stories, Good Indian Girls.”—Edward Albee, author of Who’s Afraid of Virginia Woolf?

“The first-person narrator of ‘The Good Poet of Africa’ despises poetry, repays compassion with insult, and enjoys lying to children. but, by story’s end, the moral universe will be turned on its head, and the reader will empathize with Ranbir Sidhu’s loathsome protagonist. This is writing of uncommon assurance and skill.”—Jeet Thayil, author of Narcopolis

“In twelve vivid stories, Ranbir Singh Sidhu paints tender, uproarious and incredibly insightful portraits of Indians living in America.” —Barnes & Noble Review


Praise from Booklist

On GOOD INDIAN GIRLS:

With adeptly drawn characters, Sidhu demonstrates a dexterous grasp of the human psyche, while the prevalence of dark twists displays his love of the fatalistic. This propensity for the morose will be of-putting for some but is sure to please those with a taste for black humor and shades of the diabolical.

Booklist (link here – paywall)


“It’s only a game, he shouted, voice fading on the wind.

Those very words. I could still feel the grip of his fingers where he had held my child’s arm, his hand, large, engulfing it, fingers touching at the tips. A line of grey already infected his beard, though a young man, yet even then retired, a national name. His beard tied back into a second, scruffy chin, a pink turban, his eyes on me, Watch the ball, not me, and again his voice, Watch the ball! But I always looked back into his eyes. Why was he here, why wasn’t he out there, where the newspapermen attacked each other for his photograph, where the radio sang his praises, where all India looked to the holy dirt his feet walked on? It’s only a game, he shouted. They said he had walked with Gandhiji to the sea. They said that he never, not even as a baby, wore anything but homespun. They said that on every corner he passed, an assassin waited – why? – but that divine forces protected him. I launched the cricket ball into the air, and it fell thudding in the hot dirt only a few feet away, a red, undistinguished ball, and he looked at me as though I, personally, had lost Pakistan.”

— from the story “The Order of Things” in Good Indian Girls. Pre-order your copy here.


Heroes for our Troubled Times

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From Outlook India by Shalini Mukerji:

“My father said that in India they gave names to the dark space between the stars. It was the darkness that was novel, scarce, that seemed brilliant against so much light. Sometimes I would find my father late at night in the living room, the lights all off, only the clock glowing on the vcr. He would say that it was such a relief, this darkness, this not being able to see. Only years later did I learn what it was he was hoping not to see,” remarks the floating narratorial voice in Sidhu’s Neanderthal Tongues. A powerful, suggestive story, it sculpts darkness from sparks of violence and finds the primal, atavistic expression of terror, one that transcends boundaries, language and time.Hero of the Nation, another disquieting story, explores the dynamics of caring for an ailing (grand)parent and how each member in the family scrabbles for air, a calming breath. Among these stories of dislocation and fragments of lives when time seems out of joint, The Discovery could have you thinking of Toba Tek Singh—Manto’s heartbreak about the madness of Partition, for it’s about a man who can’t make sense of the world as it splinters into ‘notcountries’ and ‘notwords’. The Border Song, among the lightest pieces in this collection, finds the transformative grace in grief and a closure of sorts that eludes characters in The Order of Things, a masterpiece of a story that could have you marvelling at Sidhu’s incisive and distinctive perspective for the Punjab experience of violence, exile and estrangement—both within India and abroad. Seeking in each story a ‘correct pronoun’ for our splintering selves and a ‘new grammar’ for fugitive histories, Sidhu seems to articulate Edvard Munch’s The Scream—that “infinite scream coursing through nature”, which the Norwegian expressionist sensed at sunset and painted as part of his ‘Frieze of Life’ series.


Good Indian Girls tops Indo Asian News Service reviews this week

“Stories out of the box fill up Sidhu’s anthology of short stories that craft extraordinary tales out of ordinary realities. It is a treat.”

-IANS


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