Over at The Story Prize blog, I have a guest post up. Check it out here.
In presenting deeply conflicted characters, and sometimes unpleasant characters, I guess, in hindsight, I was looking for ways to broaden the emotional landscape of much of so-called contemporary Indian American fiction—though perhaps more accurately I was reacting to what felt like a strangled emotional territory. And also to make, in my own small way, a larger claim on the universality of experience, and that it doesn’t have to born out of exhausted tropes— the newly arrived immigrant, the clash of cultures, the relatively narrow emotional bandwidth of adapting to American middle class life.
At night, the junkies take over the square. They are almost vaporously thin, like the dead even before they shoot up. They have ruined most of their veins and bend forward to stick the needle in the backs of their knees or other parts of their legs. The happy ones are curled up fetally, oblivious to everything. A tall South Asian man with a tense, fierce face asks me several nights in a row if I want anything. “Hash? Junk? Anything?”
Read the whole story here.
Beyond the lives tragically lost, it is the attack on this institution that I feel most deeply, for the gurdwara is not only a place of worship and service, but also one of real community and, for the children, of uninhibited play where the demands of parents are relaxed and the spectre of bullies a distant threat.
Read the full story here.
I didn’t write the headline on the published piece, and nor is that what I say. And the paragraph breaks on the online version are a mess. Not mine for sure.
As a Sikh, as an American, the latest, the murder of five Sikhs and a police officer at a gurudwara in Oak Creek, Wisconsin, hits home for me, and home hard.