Over at The Story Prize blog, I have a guest post up. Check it out here.
In presenting deeply conflicted characters, and sometimes unpleasant characters, I guess, in hindsight, I was looking for ways to broaden the emotional landscape of much of so-called contemporary Indian American fiction—though perhaps more accurately I was reacting to what felt like a strangled emotional territory. And also to make, in my own small way, a larger claim on the universality of experience, and that it doesn’t have to born out of exhausted tropes— the newly arrived immigrant, the clash of cultures, the relatively narrow emotional bandwidth of adapting to American middle class life.
At night, the junkies take over the square. They are almost vaporously thin, like the dead even before they shoot up. They have ruined most of their veins and bend forward to stick the needle in the backs of their knees or other parts of their legs. The happy ones are curled up fetally, oblivious to everything. A tall South Asian man with a tense, fierce face asks me several nights in a row if I want anything. “Hash? Junk? Anything?”
Read the whole story here.