Over at Artnet, I take a look at Izhar Patkin’s glittering show at Mass MoCA. Read it, see ie. Click the image.
Narrative, performance, the self and its creations, are seen in constant and ever-shifting flux. To look for answers here, Patkin suggests, is a fool’s errand, but to ask questions, and to continue asking them, though not a path to redemption, can lead to ever more refined ideas about the possibilities of being.
Join Quintan Ana Wikswo, Matthew Sharpe, and Ranbir Singh Sidhu as they bring new work to the stage for an evening of morphological misadventure within the uncanny nooks and crannies of newly invoked worlds.
$10 at the door; advance tickets online here: http://www.brownpapertickets.com/event/702551
QUINTAN ANA WIKSWO (www.QuintanWikswo.com) is recognized for projects that integrate her original literature, visual art, video, and performance works. Her collection of short stories and photographs – The Hope Of Floating Has Carried Us This Far – is forthcoming on Coffee House Press. Her fiction, nonfiction, poetry, and theory appears in anthologies, fine art catalogues, artist’s books, and in magazines including Tin House, Gulf Coast, Conjunctions, The Kenyon Review, New American Writing, Golden Handcuffs Review, Alaska Quarterly Review, and many more. Her works are exhibited, published, and performed at prominent institutions through Europe and the Americas, including three solo exhibitions at major museums in New York City and Berlin, and performances at (Le) Poisson Rouge, St. Mark’s Church, Incubator Arts Project, Dixon Place, Beyond Baroque, and others. She is the recipient of fellowships from Creative Capital, the National Endowment for the Arts, the National Endowment for the Humanities, the Pollock Krasner Foundation, Center for Cultural Innovation, Theo Westenberger Estate, Yaddo, and more. She maintains a lively visiting artist practice at NYU, CUNY, Colgate College, California College of Arts, California State University, and others.
MATTHEW SHARPE (http://sharpestories.blogspot.com) is the author of the novels You Were Wrong, Jamestown, The Sleeping Father, and Nothing Is Terrible. He is the recipient of fellowships from the National Endowment of the Arts and the New York Foundation for the Arts. He teaches in the graduate writing program at Columbia University, and has been posting a one-page story every week to his blog Very Short Stories R Us.
RANBIR SINGH SIDHU (www.ranbirsidhu.com) is the author of Good Indian Girls, and a winner of the Pushcart Prize in Fiction and a New York Foundation for the Arts Fellowship, and other awards. His stories appear in The Georgia Review, Fence, Zyzzyva, The Missouri Review, Other Voices, The Literary Review, Alaska Quarterly Review, The Barcelona Review, The Happy Hypocrite and other journals and anthologies. His work for theater has been supported by MCC Theater, the Edward F. Albee Foundation, the Lower Manhattan Cultural Council, La Mama ETC, the September 11th Fund, and the New York State Council for the Arts among others.
Over at the Degenerate Art Ensemble, Quintan Ana Wikswo and I talk about hellhounds, death, toast, TS Eliot, talismans, and jam. Check it out here.
Over at The Aerogram, I write about Agha Shahid Ali, and his collaboration at the end of his life with the important Israeli-American artists Izhar Patkin. Find it here.
For those in western Mass on Thursday, April 24, I’ll be reading in a very special tribute to the late poet Agha Shahid Ali at Mass MoCA, in North Adams. It’s organized around the mid-career retrospective of the artist Izhar Patkin. Details here.
Launch of The Happy Hypocrite – Freedom, Issue 6
edited by Lynne Tillman
21 September 2013, 7.00pm onwards
55 Walker Street
Yasmine El Rashidi
Ranbir Singh Sidhu
Robin Coste Lewis
Followed by a discussion with Lynne Tillman and participants.
To purchase this title please visit the Book Works website.
This new issue of The Happy Hypocrite challenges the restraining notions found in art and writing about who and what can and cannot speak. What can and cannot be said or thought. In part a response to Kafka – to that which we don’t know has damaged us – freedom is presented as an important and urgent concept, and a complicated word, in which and beside which hypocrisy also resides. (Hypocrisy can be construed as a freedom). The Happy Hypocrite offers its pages to ingenious fictional, nonfictional, and visual responses to the various meanings of ‘freedom’.
Contributions from Gregg Bordowitz, Paul Chan, Gabriel Coxhead, Lydia Davis, Yasmine El Rashidi, Chloé Cooper Jones, James Jennings, Allison Katz, Robin Coste Lewis, Craig Owens, Sarah Resnick, Ranbir Singh Sidhu, Abdellah Taïa, an interview between Lynne Tillman and Thomas Keenan, a cover by Susan Hiller, and archival material from Paranoids Anonymous Newsletter.
Up now at NYFA Current, I have an essay on Sandow Birk’s recent show at P.P.O.W. Gallery. Here’s an excerpt:
“What Birk arrives at in these paintings is a vision of a Qu’ran whose primary concerns are quotidian troubles and joys and the unadorned events of everyday Americans. A man affixes a satellite dish to the side of a bungalow. A boy and a girl shovel snow from a parked car. Shoppers at Walmart push carts and search through the bargain rack. Pedestrians cross a busy Manhattan intersection under a sky of surveillance cameras. A Latino mother and her children walk out of a market in Los Angeles.”