Ranbir Singh Sidhu writes novels, stories, plays and essays, takes photographs and dreams of making movies. He is the author of Good Indian Girls, and a winner of the Pushcart Prize in Fiction and a New York Foundation for the Arts Fellowship, and other awards.
His stories have appeared in The Georgia Review, Fence, Zyzzyva, The Missouri Review, Other Voices, The Literary Review, Alaska Quarterly Review, The Barcelona Review, Hot Metal Bridge and other journals and anthologies. A new story, “The Tears of Paavo Laht” appears in the UK-based journal The Happy Hypocrite, guest-edited by Lynne Tillman.
His work for theater has been supported by MCC Theater, the Edward F. Albee Foundation, the Lower Manhattan Cultural Council, La Mama ETC, the September 11th Fund, and the New York State Council for the Arts among others. One of several current projects is a collaboration with Berlin-based artist Shahryar Nashat on a book of words and images, to be launched at the Berlin Biennale 2014.
“Ranbir Sidhu is imaginative, with a dry, sly wit, very intelligent, and owns a wicked sensibility, all of which makes his fiction smart, daring, sensitive to human perversity, and keen in its observations. He is one of the most compelling and sophisticated younger writers today; and his writing is beautiful and entertaining.”
Lynne Tillman, author of American Genius A Comedy, and No Lease On Life
“When I first met Ranbir Sidhu, he was a resident at the Edward F. Albee Foundation in Montauk and while there, he displayed tremendous talent and dedication. His work takes risks, is often daring and imaginative, and I appreciate the intelligence he brings to his craft. I look forward to reading his new collection of stories, Good Indian Girls.”
Edward Albee, author of Who’s Afraid of Virginia Woolf?
“Whenever I pick up a story by Ranbir Sidhu, I feel as though I’ve been released from the cedarwood closet of literature into the fresh air of active creation; as though I’d been fitted with brand-new high-tech earphones picking up an infinity of eloquent microphones cleverly scattered around the world.”
Harry Mathews, author of My Life in CIA, Cigarettes and The Journalist
“The first-person narrator of ‘The Good Poet of Africa’ despises poetry, repays compassion with insult, and enjoys lying to children. but, by story’s end, the moral universe will be turned on its head, and the reader will empathize with Ranbir Sidhu’s loathsome protagonist. This is writing of uncommon assurance and skill.”
Jeet Thayil, author of Narcopolis
“Achingly merciless, London-born author Sidhu’s 12 short stories sharply delineate the edges of identity and sanity…These haunting tales simultaneously attract and repel, enchant and shatter…Sidhu creates inscrutable characters inhabiting bewildering circumstances. Smart, provocative and poignantly disturbing, this collection, the author’s U.S. debut, signals a writer to watch.”
Kirkus Review (Starred review)