The Ghosts of Omonia Square

This just up at The Margins, with photos, one last dispatch from Athens, this time with hookers, junkies, immigrants, and cops.

At night, the junkies take over the square. They are almost vaporously thin, like the dead even before they shoot up. They have ruined most of their veins and bend forward to stick the needle in the backs of their knees or other parts of their legs. The happy ones are curled up fetally, oblivious to everything. A tall South Asian man with a tense, fierce face asks me several nights in a row if I want anything. “Hash? Junk? Anything?”

Read the whole story here.


The City Painted, part two

Over and again, when I asked about the precarious future of Greece, people gave me this response: “Greece has been here for thousands of years. It does not die, and it will  not this time.” Walking the streets of Athens, I find myself marveling at the beauty and humor and energy of the graffiti I see everywhere, and also feeling dismayed, because it does mar the city, it does make it ugly, and it does make the lives of Athenians who have to encounter it every day that little bit worse. But I also think of that quote, and I know that cities, like people, go through periods of creative destruction. Who knows what will emerge out of the Athens of today, what city will stand on these shopworn foundations? But one thing is certain. The city will be here, and so will its people, and I suspect that much of the energy released onto its walls will also help to feed its rebirth. For in seeing the city so brought down, one can begin to imagine the city reborn.

 

Click on the images to view larger versions.

For additional photos, see the earlier post, “The City Painted, part one.”

All images copyright 2012 Ranbir Sidhu.


Pussy Riot closing statements

Today’s educational institutions teach people, from childhood, to live as automatons. Not to pose the crucial questions consistent with their age. They inculcate cruelty and intolerance of nonconformity. Beginning in childhood, we forget our freedom.

Read them here.


Night Walks in Athens

Past midnight in a poorly lit alley near Metaxourgeio, a man approaches me pushing an overloaded cart. I’m taking photographs. No one else is around. What time is it? he asks. I say I think it’s a quarter past, and he nods and points to his cart. I sell all this, and now I pack up and go home, he says, I do this every day. Where are you from? I ask. I’m a Kurd, he says, I’m from Iraq. He reaches into his pocket and  pulls out a green sprig. Smell it, he says, pushing it into my face. Take it and smell it. It sounds like an order, and I do as he asks. The plant is basil, and in that dark alley, it smells wonderfully fragrant. He smiles when I recognize the plant, then nods. This is what I sell, he says. And saying nothing else, he walks away, leaving me with the fragrant sprig of basil. I keep it as a good luck charm, because this night I’m still not sure what parts of the city I’ll walk through, and what protection I will need.

On the following night, I learn a couple of days later, in the same area, around the same time, an Iraqi immigrant is stabbed to death by five unknown attackers.

Click on the images to view larger versions.

For additional photos, see the earlier post, “Athens at night.”

All images copyright 2012 Ranbir Sidhu.


The Athens National Archaeological Museum, or The Past In Fragments

On my way into the National Archaeological Museum of Greece today, I met a young woman who was handing out discount flyers for a nearby café. We got to talking, and she said there were many secrets in this city, and many hidden histories. I have felt the same thing, wondering at the dark doors, and silent alleyways I’ve passed. On the Acropolis, she said, there are secret doors to other worlds, and she was amazed I had not encountered them. As a writer, she scolded me, she thought I would have looked more deeply.

Inside the museum, in one of the last rooms I visited, the room containing the five breath-taking Kouros statues, I had an astonishing experience and, for a moment, found one of those secret doors she spoke of. Maybe one day I will write about it.

All photos copyright 2012 Ranbir Sidhu.


More than lives lost in Oak Park

In the current issue of Open Magazine, I have a more personal response to the killings in Oak Park, Wisconsin.

Beyond the lives tragically lost, it is the attack on this institution that I feel most deeply, for the gurdwara is not only a place of worship and service, but also one of real community and, for the children, of uninhibited play where the demands of parents are relaxed and the spectre of bullies a distant threat.

Read the full story here.


The City Painted, part one

One thing is impossible to escape on arriving in Athens, that in much of the center, and even in large areas in the outlying parts of the city, the walls are covered in graffiti. For block after block, every available space within hand’s reach is spray-painted, and the walker swims through it, drowns in it. This must have been what New York City looked like in the seventies and eighties, a city exploding in color and angst and undirected rage. As I’ve been walking and photographing, it leaves me with mixed emotions. Often, very beautiful buildings are tagged, and their facades marred. The National Archaeological Museum is largely covered with quite ugly-looking political statements. Much of it, however, is beautiful, striking, and compelling, and in the teeth of this crisis, it seems necessary that disempowered youth should take their visions and protests and fears and hopes and whimsies directly to the walls of this ancient city. Where else are they going to leave their mark these days?

Please click on the images to view them full-size.


On the Oak Park shootings

I didn’t write the headline on the published piece, and nor is that what I say. And the paragraph breaks on the online version are a mess. Not mine for sure.

As a Sikh, as an American, the latest, the murder of five Sikhs and a police officer at a gurudwara in Oak Creek, Wisconsin, hits home for me, and home hard.

Read more: http://www.dailymail.co.uk/indiahome/indianews/article-2184531/Political-culture-blame-mass-shootings-guns.html#ixzz22oBmDcmi


Switch off the Bhangra

Switch off the Bhangra

In Punjab these days, the almost universal ubiquity of bhangra is creating a deadening musical monoculture, and it’s a monoculture that’s a broad reflection of the state of Punjabi culture as a whole.

Read more: http://www.dailymail.co.uk/indiahome/indianews/article-2183293/Switch-bhangra.html#ixzz22a111SQ8


Athens at night

Walking the streets at midnight, the city is almost silent. Seedy, hot, alive in the shadows, it is a different city from the city in the day. All that empty space somehow lets it breathe.

Please click on the images to view them full-size.

All photos copyright Ranbir Sidhu.


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